My works are pure abstraction in that no representational image or preconceived meaning informs their creation.

In these works, I focus on exploring the structural, textural and often sharply contrasting qualities of natural and man-made materials when used to create an aesthetic presence or vitality. While I may start a work with a basic form in mind, it is the interaction of process and materials that determines the final resolution. Structural elements, such as rigging, are used both to produce tension in the work and to amplify a sense of volume and unity. I seek to create objects that can be engaging, evocative, perhaps provocative, and enduring. The creative process does not stop when a work is finished, and is not bound by the limits of my own perceptions, but continues through the interaction of the object and the observer.

If there is social meaning in my work, it stems from my interest in preserving pre- and- early industrial technologies, such as hand papermaking, and from my belief that the integration of this heritage with modern materials and concepts enhances our contemporary environment. Personal influences in my work include interests in architecture, industrial archaeology, woodworking, science fiction and, Chinese and Japanese culture and history. Other, or additional, influences may be seen from the perspective of other observers.

Dave Rockenbeck